Skip to content Search engine

Imagined Košice

On the inter-war map of the Czechoslovak Republic, Košice occupy a special place. Located in the Slovak part of the newly created state, a bit off the beaten track and away from the hustle and bustle of metropolitan Prague, the city became the birthplace of the phenomenon known as the Košice moderna. The Košice of the 1920s and the early 1930s was a kind of informal artistic "colony" bringing together Slovak, Czech and Hungarian artists. Those who were permanently connected with the city, and those who spent several years or even months there.

The city was not only a natural frame for the daily existence of artists, but also became a source of inspiration. In their works, Košice real meets the imaginary. Therefore, fragments of the urban landscape, symbols of industrialization and civilization progress, urban lifestyle and leisure culture, such as the theme of a cafe, were readily used. He appears with Géza Schiller, who, before arriving in Košice, was associated, among others, with the Budapest community. The artist, a frequent visitor of cafes, in which he passionately devoted himself to discussions on Picasso’s work – which, incidentally, earned the nickname Silanyi-Schiller Picasso – recreated the atmosphere of the well-known venues in his work entitled “In the cafe” (1924). The crowded interior is filled with various types of characters – a figure of a waiter appears in the foreground serving a group of guests, a female figure pensive over the cup, a bored girl leaning her elbows on a cafe counter. It resembles a bartender from the iconic image of Édouard Manet “Bar in Folies-Bergère”. Similarly, the male figure in the right part of the canvas can be a distant echo of the works of Picasso or Modigliani.

Publications

Publications

Košice Modernism
Author of the publication: collective work

The same motif, but obtained quite differently by means of painting, can be found in Július Jakoby from Košice, sometimes called the city’s “chronicler”. In the composition “In the bar” (1929), attention is drawn to a somewhat fragmentary, “snapshot” framing – it is manifested even in the “cut off” silhouette of the female figure and closeness to the foreground. The couple depicted freely on chairs and with cigarettes in their hands, silently devote themselves to the cafe ritual. This small detail also reminds that the interwar period contributed to the popularization – now quite not so enthusiastically supported – of the habit of smoking cigarettes, which in the case of women was even emancipatory and at the same time an inseparable attribute of cafe life.

Publications

Publications

Czechy. Instrukcja obsługi
Przewodnik Grušy to książka o czeskiej historii (zwłaszcza niedawnej) oraz o czeskich mitach i legendach. Ale także o ciemnych stronach przeszłości tego kraju, o czeskich kompleksach, „trupach w szafie” i zdarzeniach, o których dziś – mimo wolności słowa – mówi się tam raczej niechętnie. W dodatku to książka wspaniałego erudyty i człowieka obdarzonego ogromną wiedzą, napisana ze swadą, z typowo czeskim poczuciem humoru i autoironią, pełna zabawnych gier słów i poetyckich obrazów. A jednocześnie można jeździć po Czechach trzymając ją na kolanach, bo spełnia także niemal wszystkie wymogi typowego przewodnika.
Author of the publication: Jiří Gruša

We exhibited avant-garde paintings by artists from Košice, created in the second decade of the 20th century, at the MCK from 16 September to 27 November 2016 – link to the article on the exhibition ‘Košice Modernism’.

Imagined Košice

Return to the top