A peer-reviewed journal is published exclusively on the Internet which guarantees quick and efficient publishing procedures with a paper being published usually within a period of no longer than twelve months from the date of submission. RIHA Journal is a an ongoing publication – individual papers are sequentially numbered and there is no division into regularly published issues. Occasionally, as series of articles focusing on a common topic are published as Special Issues.
The RIHA Journal is an open access e-journal, devoted to the full range of the history of art and visual culture. The journal seeks to publish papers – be it on local, regional or transnational art histories – that are apt to animate the disciplines of art history and visual studies today and engage with important theoretical questions. As a collective endeavour, the RIHA Journal seeks to share materials and knowledge issued by scholars of all nationalities, and by doing so, to make a significant contribution to dissolving the boundaries between scholarly communities.
RIHA Journal is included in the following citation databases:
Arts & Humanities Citation Index
ERIH plus – The European Reference Index for the Humanities and the Social Sciences
Directory of Open Access Journals (DOAJ)
The ICC kindly invites scholars and researchers to submit papers on art history and theory. Contributions are welcome all year. The Polish editorial board accepts the papers in Polish or in English (English texts have priority in editing). Papers in English could be submitted also by the academics from the countries without regional RIHA institute, especially Ukraine, Belorussia, Lithuania.
Authors should first submit an abstract of a paper (maximum length 2000 characters with spaces). If accepted, the authors are requested to send a full paper in accordance with the submission guidelines specified in information for authors (see below). The article is subsequently sent for external reviewing to two experts and, if positively reviewed, published in Polish and English. The International Cultural Centre provides necessary translation services for up to 5 articles per year (up to 40 000 characters).
Abstracts, papers or related inquiries – please, contact dr. Magdalena Łanuszka, local editor of RIHA Journal at riha-journal@mck.krakow.pl
More information on the RIHA Journal website.
- Maria Chernysheva, „«Barbara Radziwiłł» and «Princess Tarakanova» at the 1867 Exposition Universelle. Meanings Lost and Found in Cross-National Perceptions”, DOI: https://doi.org/10.11588/riha.2025.1.113264
- Piotr Knapik, „Saxon Influences in the Architecture of Southern Lesser Poland in the Late Fifteenth and Early Sixteenth Centuries” DOI: https://doi.org/10.11588/riha.2024.1.104700
- Marek Świdrak, „Niepublikowany projekt kościoła luterańskiego autorstwa Valentina von Saebischa”, DOI: https://doi.org/10.11588/riha.2022.1.89822
- Marek Świdrak, „An Unpublished Lutheran Church Design by Valentin von Saebisch”, DOI: https://doi.org/10.11588/riha.2022.1.88798
- Joanna Piechura, „Wading into Battle: Frida Kahlo, Surrealism, and the Gradivian Myth”, DOI: https://doi.org/10.11588/riha.2021.0.85590
- Diana Wasilewska, „«The Post-Party Spleen». The Topos of Crisis in Polish Art Criticism of the 1930s”, DOI: https://doi.org/10.11588/riha.2021.0.78837
- Jacek Purchla, The Architecture of the Third Reich in Cracow – a Dissonant Heritage? DOI: https://doi.org/10.11588/riha.2020.0.77095
- Justyna Balisz-Schmelz, Strach przed bliskim Innym. Czy w powojennej historii sztuki niemieckiej jest miejsce na “funkcjonariuszy państwowych”? DOI: https://doi.org/10.11588/riha.2020.0.76081
- Justyna Balisz-Schmelz, Terrified by the Close Other. Is the Postwar History of German Art Ready to Embrace “State Functionaries”? DOI: https://doi.org/10.11588/riha.2020.0.76082
- Juliusz Raczkowski, Losy średniowiecznego wyposażenia kościoła toruńskich franciszkanów w czasach Reformacji (Polish version) DOI: https://doi.org/10.11588/riha.2019.0.76308
- Juliusz Raczkowski, History of the Medieval Furnishings of the Franciscan Church in Toruń during the Reformation Period (English version) DOI: https://doi.org/10.11588/riha.2019.0.76310
- Agata Wójcik, Parafrazy biedermeieru w meblarstwie polskim początku XX wieku i w dwudziestoleciu międzywojennym (Polish version) DOI: https://doi.org/10.11588/riha.2019.0.76298
- Agata Wójcik, Paraphrases of Biedermeier in Polish Furniture Designs in the Early Twentieth Century and Interwar Years (English version) DOI: https://doi.org/10.11588/riha.2019.0.76297
- Małgorzata Omilanowska, Private Gardens of the Tyszkiewiczs, Bnińskis, and the Potulickis Designed by Édouard André in Poland and Lithuania DOI: https://doi.org/10.11588/riha.2019.0.69969
- Mikołaj Getka-Kenig, Publiczna komemoracja, nowoczesna tożsamość narodowa i kryzys klasycyzmu – przypadek „wskrzeszonej” Polski na początku XIX wieku (Polish version) DOI: https://doi.org/10.11588/riha.2019.0.69953
- Mikołaj Getka-Kenig, Public Commemoration, Modern National Identity and the Crisis of Neoclassicism – The Case of Early Nineteenth-Century ‘Resurrected’ Poland (English version) DOI: https://doi.org/10.11588/riha.2019.0.69955
- Gytis Oržikauskas, Irrational Artistic Ideas of the First Half of the 20th Century as an Inspiration for the Architecture of the Later 20th and Early 21st Centuries DOI: https://doi.org/10.11588/riha.2018.0.70286
- Katarzyna Jagodzińska, Ekspansja muzeów w Europie Środkowej? (Polish version) DOI: https://doi.org/10.11588/riha.2015.0.70083
- Katarzyna Jagodzińska, Expansion of museums in Central Europe? (English version) DOI: https://doi.org/10.11588/riha.2015.0.70080
- Maria Poprzęcka, A picture behind Glass http://nbn-resolving.de/urn:nbn:de:101:1-2010041625
- Agata Wójcik, Jean-Léon Gérôme i Stanisław Chlebowski. Dzieje przyjaźni (Polish version) DOI: https://doi.org/10.11588/riha.2010.0.68541
- Agata Wójcik, Jean-Léon Gérôme and Stanisław Chlebowski: The Story of a Friendship (English version) DOI: https://doi.org/10.11588/riha.2010.0.68542
- Kamila Kłudkiewicz, Kolekcjoner na rozdrożach. Jan Działyński i kórnicka kolekcja dzieł sztuki w drugiej połowie XIX wieku – ekspozycja pomiędzy romantycznym duchem patriotyzmu a nowoczesnym ujęciem naukowym (Polish version) DOI: https://doi.org/10.11588/riha.2011.0.69100
- Kamila Kłudkiewicz, Collector at the Crossroads. Jan Działyński and the Kórnik Collection of Works of Art in the Second Half of the 19th Century: An Exhibition between the Romantic Spirit of Patriotism and a Modern Scientific Approach (English version) DOI: https://doi.org/10.11588/riha.2011.0.69101
- Katarzyna Jagodzińska, Muzeum otwarte na ulicę (Polish version) DOI: https://doi.org/10.11588/riha.2011.0.69105
- Katarzyna Jagodzińska, A Museum Open to the Street (English version) DOI: https://doi.org/10.11588/riha.2011.0.69104
- Dorota Sieroń-Galusek, Józef Czapski – o uczeniu się i nauczaniu (Polish version) DOI: https://doi.org/10.11588/riha.2011.0.69110
- Dorota Sieroń-Galusek, Józef Czapski – about learning and teaching art (English version) DOI: https://doi.org/10.11588/riha.2011.0.69111
- Maria Hussakowska-Szyszko, Labyrinth – fragments. Robert Morris and his installation for ms² Łódź 2010 DOI: https://doi.org/10.11588/riha.2011.0.69113
- Agata Wójcik, Adolf Sandoz – malarz orientalista w Algierii (Polish version) DOI: https://doi.org/10.11588/riha.2017.0.70249
- Agata Wójcik, Adolf Sandoz, an Orientalist Painter in Algeria (English version) DOI: https://doi.org/10.11588/riha.2017.0.70254
- Michał Haake, The symbolism of “Adam Asnyk with Muse” by Jacek Malczewski DOI: https://doi.org/10.11588/riha.2012.0.69260
- Marek Zgórniak, Polscy uczniowie Académie Julian do roku 1919 (Polish version) DOI: https://doi.org/10.11588/riha.2012.0.69273
- Marek Zgórniak, Polish students at the Académie Julian until 1919 (English version) DOI: https://doi.org/10.11588/riha.2012.0.69274
- Anna Bednarek, Fotografia na rynku aukcyjnym w Polsce (Polish version) DOI: https://doi.org/10.11588/riha.2012.0.69277
- Anna Bednarek, Photography at the Polish auction market (English version) DOI: https://doi.org/10.11588/riha.2012.0.69278
- Liliana Krantz-Domasłowska, Miasta podwójne w państwie krzyżackim – przykład Torunia (Polish version) DOI: https://doi.org/10.11588/riha.2013.0.69811
- Liliana Krantz-Domasłowska, Double cities in the Teutonic state on the example of Toruń (English version) DOI: https://doi.org/10.11588/riha.2013.0.69814
- Wojciech Szymański, Wszystko o Ewie. Eva Hesse i postminimalistyczna ironia romantyczna (Polish version) DOI: https://doi.org/10.11588/riha.2014.0.69888
- Wojciech Szymański, All about Eve. Eva Hesse and the Post-Minimalist Romantic Irony (English version) DOI: https://doi.org/10.11588/riha.2014.0.69891
- Volodymyr Hucul, Obraz Bitwa pod Orszą – propaganda dworska czy epos rycerski? (Polish version) DOI: https://doi.org/10.11588/riha.2014.0.69941
- Volodymyr Hucul, The Battle of Orsha – court propaganda or chivalric epic? (English version) DOI: https://doi.org/10.11588/riha.2014.0.69946
- Special Issue Contemporary Art and Memory (Part I, December 2014) DOI: https://doi.org/10.11588/riha.2014.3
- Maria Poprzęcka, Przedmowa: Nie-pamięć (Polish version) DOI: https://doi.org/10.11588/riha.2014.3.70151
- Maria Poprzęcka, Foreword: Non-memory (English version) DOI: https://doi.org/10.11588/riha.2014.3.70155
- Luiza Nader, Wunderblock Strzemińskiego. Pamięci przyjaciół – Żydów (Polish version) DOI: https://doi.org/10.11588/riha.2014.3.70156
- Luiza Nader, Strzemiński’s Wunderblock. In Memory of Friends – Jews (English version) DOI: https://doi.org/10.11588/riha.2014.3.70210
- Katarzyna Uchowicz, Czytanie Muranowa. Pamięć miejsca / pamięć architekta. Komentarz do powojennej twórczości Bohdana Lacherta (Polish version) DOI: https://doi.org/10.11588/riha.2014.3.70211
- Katarzyna Uchowicz, Reading Muranów. Memory of a place / memory of an architect. Commentary on the postwar work of Bohdan Lachert (English version) DOI: https://doi.org/10.11588/riha.2014.3.70212
- Janusz Antos, Poznanie poprzez montaż oraz mechanizmy pamięci indywidualnej w sztuce Bogusława Bachorczyka na przykładzie mieszkania-pracowni artysty (Polish version) DOI: https://doi.org/10.11588/riha.2014.3.70213
- Janusz Antos, Cognition through montage and mechanisms of individual memory in Bogusław Bachorczyk’s art on the example of the artist’s apartment-studio (English version) DOI: https://doi.org/10.11588/riha.2014.3.70214
- Roma Sendyka, Podróż, cudze cierpienie i doświadczenie historyczne: Susan Silas (Polish version) DOI: https://doi.org/10.11588/riha.2014.3.70215
- Roma Sendyka, A Journey, the Pain of Others, and Historical Experience: Susan Silas (English version) DOI: https://doi.org/10.11588/riha.2014.3.70216
- Filip Lipiński, Figuracje pamięci w wirtualnym polu (historii) sztuki (Polish version) DOI: https://doi.org/10.11588/riha.2014.3.70217
- Filip Lipiński, Figurations of memory in the virtual field of art (history) (English version) DOI: https://doi.org/10.11588/riha.2014.3.70218 (Part II, June 2015) DOI: https://doi.org/10.11588/riha.2015.1
- Wojciech Szymański, Miejsce pamięci – pomnik – anty-pomnik. Artystyczne strategie upamiętniania na terenie krakowskiego Podgórza (Polish version) DOI: https://doi.org/10.11588/riha.2015.1.70085
- Wojciech Szymański, A place of memory – monument – counter-monument. Artistic strategies of commemoration in Krakow’s district of Podgórze (English version) DOI: https://doi.org/10.11588/riha.2015.1.70086
- Maciej Sawicki, Między pamięcią a zapomnieniem Shoah. Problem estetycznej neutralizacji przeszłości w myśleniu historycznym Saula Friedländera (Polish version) DOI: https://doi.org/10.11588/riha.2015.1.70087
- Maciej Sawicki, Between Memory and Oblivion of the Shoah. The Problem of Aesthetic Neutralization of the Past in Saul Friedländer’s Historical Thinking (English version) DOI: https://doi.org/10.11588/riha.2015.1.70088
