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Zsolnay – the most famous Hungarian colors

Located in the south of Hungary, Pécs is a place with which the history of Zsolnay, one of the most famous Central European ceramic factories, is inseparably connected. This family factory, famous for the production of decorative vessels, but also architectural details, adorning the numerous buildings to this day in even Budapest, is one of the most important symbols of Hungarian Art Nouveau and Belle époque.


The Pécs products were appreciated by the emperor Franz Józef, and the collection of objects signed with the Zsolnay brand was in the collection of Walter Crane – an artist associated with the British Arts and Crafts movement. Going far beyond the borders of Austria-Hungary, Zsolnay’s fame attracted many visitors to Pécs fascinated by the mastery of the products made there. One of them was the Polish engineer and architect Tadeusz (Tádé) Sikorski. When led by professional interest – he managed the school of ceramics in Kolomyia, he visited Pécs in 1882. He probably did not think how this visit would affect his later fate. Not only did he make friends with the family of famous manufacturers, but in time he also married the daughter of the owners, Júlia Zsolnay. He quickly joined the work in the factory, where he was the artistic director for many years.

Publications

Publications

Zsolnay. Węgierska secesja
Album towarzyszący wystawie prezentowanej w Galerii MCK jest próbą poszerzenia polskiej perspektywy na fenomen „złotej ery” Węgier i sztuki tego kraju na przełomie XIX i XX wieku poprzez wydobycie bogactwa, różnorodności i klasy artystycznej wzornictwa tamtego czasu naszych południowych „bratanków”.
Author of the publication: Praca zbiorowa
Zastawa stołowa z serii Lotos, projekt Julia Zsolnay, lata osiemdziesiąte dziewiętnastego wieku

Tadeusz Sikorski was one of the most versatile designers – apart from decorative and functional ceramics, he designed interior design elements (e.g. candlesticks, mirror frames, furniture decorations) and architectural details. His works are proof of creativity and artistic imagination – which is reminded by a fanciful series of objects designed together with his wife Julia, inspired by the form of a lotus flower. Sikorski, who drew inspiration from various sources, was far from simple copying – he shaped his designs with great inventiveness, which is perfectly illustrated by, for example, objects referring to pre-Columbian culture. It is also possible that inspired by the collection of the engineer and traveler Władysław Klug, known to him, part of which can be seen today at the Krakow Archaeological Museum. Sikorski’s diverse legacy is not only proof of his artistic talent, but also reminds of the Polish contribution to the phenomenon of the famous manufacture.

Zastawa stołowa, meble ogrodowe z serii Lotos, projekt Julia Zsolnay, Tadeusz Sikorski, lata osiemdziesiąte i dziewięćdziesiąte dwudziestego wieku.

Zsolnay’s exhibition spoke about the phenomenon of the Zsolnay manufacture. Hungarian Art Nouveau presented at the MCK Gallery in 2017.

Publications

Publications

HERITO, nr 26: Węgry
Kim są dziś Węgrzy i jak siebie widzą w Europie Środkowej? Na czym polega fenomen Budapesztu na przełomie XIX i XX wieku? Jak wygląda Polak węgierskimi oczami? Czym jest dla Węgrów Dunaj? Co wspólnego z placem Kálmána Szélla w Budapeszcie mają Elvis Presley, Mao Zedong czy Kreml? Na pytania te starają się odpowiedzieć autorzy i autorki numeru „Herito”, którego tematem przewodnim są tym razem Węgry. W numerze między innymi László F. Földényi, Éva Forgács, László Németh i Csaba G. Kiss mierzą się z węgierskimi dylematami; Rafał Wiśniewski opowiada o fenomenie Budapesztu 1900; Adam Balcer, Balázs Ablonczy, Krzysztof Wołosiuk piszą o węgierskiej fascynacji Wschodem, a Robert Nemes eksploruje prowincjonalne Węgry – te dawne i współczesne.
Author of the publication: Praca zbiorowa
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