{"id":36581,"date":"2025-02-05T12:18:19","date_gmt":"2025-02-05T12:18:19","guid":{"rendered":"https:\/\/mck.krakow.pl\/wystawy\/logika-lokalnosci-norweski-i-polski-wspolczesny-design\/"},"modified":"2026-09-24T11:54:38","modified_gmt":"2026-09-24T11:54:38","slug":"logika-lokalnosci-norweski-i-polski-wspolczesny-design","status":"publish","type":"wystawy","link":"https:\/\/mck.krakow.pl\/en\/wystawy\/logika-lokalnosci-norweski-i-polski-wspolczesny-design\/","title":{"rendered":"The logic of the local. Norwegian and Polish contemporary design"},"content":{"rendered":"\n

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The exhibition presented contemporary design in Poland and Norway, which has become one of the top areas of culture, playing an important role in the foreign promotion of the two countries. One of the main trends in both Polish and Norwegian design is the use of vernacular tradition in the context of techniques and materials, as well as invoking the concept of sustainable development. The exhibition was an attempt at showing mutual Polish\u2011Norwegian correlations and affinities in design from the last fifteen years. <\/strong><\/p>\n\n\n\n

The issue was illustrated by specific works of Polish and Norwegian designers, already awarded and recognized in the world or most recent ones. The display has included Polish exhibits from the Ethnographic Museum in Krak\u00f3w and Norwegian items from the Sverresborg Tr\u00f8ndelag Folkemuseum, exemplifying traditional crafts \u2013 contemporary source of inspiration both in shaping new forms, and in the philosophy and strategy of today\u2019s design.

The exhibition was organized in collaboration with the Nordenfjeldske Kunstindustrimuseum in Trondheim, which is one of the branches of MIST (Museene i S\u00f8r-Tr\u00f8ndelag \/ Museums of South Tr\u00f8ndelag).

The exhibition was also presented at the Nordenfjeldske Kunstindustrie Museum<\/a><\/strong> from 6.04.2017 to 4.06.2017.

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17 December 2016\u201326 March 2017
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ICC Gallery, 1st floor
25 Main Square
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Curators of the exhibition<\/div>
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dr Monika Rydiger<\/div>\n
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Solveig L\u00f8nmo<\/div>\n
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Curators of the exhibition<\/div>\n \n
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dr Monika Rydiger<\/div>\n
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\n Art historian and critic, curator. She curated or co-curated such exhibitions as Hunting Down Modernism: The Prohibited Arts in the Third Reich (2011), Memory: Registers and Territories (2013), MAKOM. Dani Karavan. The Essence of Place (2015), The Logic of the Local: Norwegian and Polish Contemporary Design (2016). She is a member of the Polish section of AICA (International Association of Art Critics), vice president of the Association of Art Historians, Krak\u00f3w Branch. Author of texts on modern and contemporary art, specialising in sculpture and architecture. <\/div>\n <\/div>\n <\/div>\n <\/div>\n
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Solveig L\u00f8nmo<\/div>\n
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\n Curator at the Nordenfjeldske Kunstindustrimuseum and a PhD student at the Faculty of Art and Media at the Norwegian University of Science and Technology in Trondheim. She specialises in the museum\u2019s extensive collection of textiles, and in particular in the tapestries of the artist Hannah Ryggen. Curator of two editions of the museum\u2019s Hannah Ryggen Triennial (2019 and 2022). Her forthcoming doctoral thesis is devoted to a theoretical and critical approach to the works of this renowned Norwegian artist. <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
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