{"id":33580,"date":"2024-12-19T10:05:28","date_gmt":"2024-12-19T10:05:28","guid":{"rendered":"https:\/\/mck.krakow.pl\/wystawy\/odesa-dlugi-wiek-xx-w-sztuce\/"},"modified":"2026-07-10T09:12:19","modified_gmt":"2026-07-10T09:12:19","slug":"odesa-dlugi-wiek-xx-w-sztuce","status":"publish","type":"wystawy","link":"https:\/\/mck.krakow.pl\/en\/wystawy\/odesa-dlugi-wiek-xx-w-sztuce\/","title":{"rendered":"Odesa: The Long 20th Century in Art"},"content":{"rendered":"\n
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The history of art in Odesa in the 20th century is a story of constant evolution, the search for national identity, composed of moments of triumph and trial, culminating in war, but also with hope for reconstruction and continuation of the creative heritage. It is presented in the latest exhibition of the International Cultural Center in Krakow.<\/strong><\/strong><\/p>\n\n\n\n

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Art in Odesa has always reflected the cultural richness, diverse influences and turbulent events that shaped the history of this region in the 20th century. Today, the city is on the front line, and most artistic initiatives were brutally interrupted by the outbreak of a full-scale war in 2022, which resulted in the destruction of many architectural monuments and works of art.<\/p>\n\n\n\n

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Exhibition “Odesa. The Long 20th Century in Art\u201d presents works that talk about national identity and the role of art in the current war, as well as the arduous process of building the artistic canon and the spread of European art to the ends of the continent throughout the 19th and 20th centuries. Through the prism of various nationalities and cultures, it presents history entire southern Ukraine.<\/p>\n\n\n\n

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Curators<\/div>
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dr \u017banna Komar<\/div>\n
Curator at the ICC<\/div>\n <\/div>\n <\/div>\n <\/div>\n \n
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Valeriia Pliekhotko<\/div>\n
Exhibition Curator<\/div>\n <\/div>\n <\/div>\n <\/div>\n \n
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Yuliia Berdiiarova<\/div>\n
Exhibition Curator<\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n <\/div>\n\n\n
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Curators<\/div>\n \n
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dr \u017banna Komar<\/div>\n
Curator at the ICC<\/div>\n \n
\n Art and architectural historian, curator. She works at the ICC\u2019s Institute of European Heritage. Her curatorial projects include the exhibitions Ukraine: Mutual Views (2021\/2022), Architecture of Independence in Central Europe (2018\/2019), and Lviv, 24 June 1937: The City, Architecture, Modernism (2017\/2018). She is the author of The Third City of Galicia: Stanis\u0142aw\u00f3w and Its Architecture during the Period of Galician Autonomy (Krak\u00f3w, 2008). <\/div>\n <\/div>\n <\/div>\n <\/div>\n
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Valeriia Pliekhotko<\/div>\n
Exhibition Curator<\/div>\n \n
\n Independent curator. <\/div>\n <\/div>\n <\/div>\n <\/div>\n
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Yuliia Berdiiarova<\/div>\n
Exhibition Curator<\/div>\n \n
\n Independent curator and art historian. She specialises in developing digital strategies for cultural institutions and in connecting technology with cultural heritage. Her curatorial projects include the exhibitions HERE AND NOW: Modernism in Ukraine, 1900\u20131930s (2023, Museum Ludwig) and Always on the Move! A Ukrainian Kolumba (2023, Kolumba). <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
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