{"id":26666,"date":"2026-02-25T14:20:32","date_gmt":"2026-02-25T14:20:32","guid":{"rendered":"https:\/\/mck.krakow.pl\/wystawy\/davida-kidd-pomiedzy-nieuchwytnym-a-nieuswiadomionym\/"},"modified":"2026-03-24T09:21:15","modified_gmt":"2026-03-24T09:21:15","slug":"davida-kidd-pomiedzy-nieuchwytnym-a-nieuswiadomionym","status":"publish","type":"wystawy","link":"https:\/\/mck.krakow.pl\/en\/wystawy\/davida-kidd-pomiedzy-nieuchwytnym-a-nieuswiadomionym\/","title":{"rendered":"Davida Kidd. Between the sublime and the subliminal"},"content":{"rendered":"\n<p class=\"entry_text_lg wp-block-paragraph\">The exhibition included works from the\u00a0<em>Base Imprints<\/em>\u00a0project which is perhaps most famililar to the Cracovian public.<\/p>\n\n\n\n<div style=\"height:28px\" aria-hidden=\"true\" class=\"wp-block-spacer mob20\"><\/div>\n\n\n\n<p class=\"entry_text wp-block-paragraph\"><\/p>\n\n\n<div id=\"block_4632a8d08ebfa1ddc2d4404b182d753a\">\n    \n    <div class=\"height48\"><\/div>\n\n    \n    \n\n    <div class=\"row\">\n        <div class=\"col-xxl-5 col-xl-5 col-lg-5 col-md-12 col-sm-12\">\n                        <div class=\"left_img\">\n                <img decoding=\"async\" src=\"https:\/\/mck.krakow.pl\/wp-content\/uploads\/2026\/02\/Davida_Kidd_foto6-400x267.jpg\" alt=\"\" class=\"img_all\">                 <div\n                    class=\"entry_img_text  entry_img_text14 \">\n                    <\/div>\n                            <\/div>        <\/div>\n\n        <div class=\"col-xxl-7 col-xl-7 col-lg-7 col-md-12 col-sm-12 right_sec_entry\">\n            <div class=\"entry_text1\">\n                <!--<div class=\"entry_text1_img\"><img decoding=\"async\" src=\"https:\/\/mck.krakow.pl\/wp-content\/themes\/mck\/images\/Frame 3323.png\"\n                        alt=\"\"><\/div>-->\n                The most important of these prints is the 2003 Triennial award winner print entitled Navigator (2001). This gloomy and melancholic work was a real discovery for the jury of the competition whose subject was Printmaking on the Edge.            <\/div>\n            <div class=\"sign\"><\/div>\n        <\/div>\n    <\/div>\n    \n\n    \n\n    <\/div>\n\n<div id=\"block_c2bc784cc99296f87811f3ecbd0d9273\">\n    \n    \n    <\/div>\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"entry_text wp-block-paragraph\">The revolution visible in Kidd&#8217;s work at the time was not only a technological one &#8211; the work is digital print representing a method which has been supplanting traditional printmaking techniques &#8211; but it was also, and perhaps most importantly, concerned with the state of our human consciousness on the threshold of the 21st century.<\/p>\n\n\n<div id=\"block_3f9e7b00c0ef070bc4d4fe7a4e512b65\">\n    \n    <div class=\"height48\"><\/div>\n\n    \n    \n    <div class=\"row\">\n\n        <div class=\"col-xxl-7 col-xl-7 col-lg-7 col-md-12 col-sm-12 right_sec_entry\">\n            <div class=\"entry_text1\">\n                <!--<div class=\"entry_text1_img\"><img decoding=\"async\" src=\"https:\/\/mck.krakow.pl\/wp-content\/themes\/mck\/images\/Frame 3323.png\"\n                        alt=\"\"><\/div>-->\n                The derisive sence of humor and the omnipresent anxiety which permeate the works in this project constitute a certain correspondence to the sence of fear, danger and lack of anchorage in the modern technological civilization.            <\/div>\n            <div class=\"sign\"><\/div>\n        <\/div>\n\n        <div class=\"col-xxl-5 col-xl-5 col-lg-5 col-md-12 col-sm-12\">\n                        <div class=\"right_img\">\n                <img decoding=\"async\" src=\"https:\/\/mck.krakow.pl\/wp-content\/uploads\/2026\/02\/Davida_Kidd_foto8-383x288.jpg\" alt=\"\">                <div\n                    class=\"entry_img_text  entry_img_text14 \">\n                    <\/div>\n                            <\/div>        <\/div>\n\n    <\/div>\n    \n\n    \n\n    <\/div>\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer mob20\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>The exhibition included works from the\u00a0Base Imprints\u00a0project which is perhaps most famililar to the Cracovian public. The revolution visible in Kidd&#8217;s work at the time was not only a technological one &#8211; the work is digital print representing a method which has been supplanting traditional printmaking techniques &#8211; but it was also, and perhaps most [&hellip;]<\/p>\n","protected":false},"featured_media":24525,"menu_order":0,"template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-26666","wystawy","type-wystawy","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/mck.krakow.pl\/en\/wp-json\/wp\/v2\/wystawy\/26666","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mck.krakow.pl\/en\/wp-json\/wp\/v2\/wystawy"}],"about":[{"href":"https:\/\/mck.krakow.pl\/en\/wp-json\/wp\/v2\/types\/wystawy"}],"version-history":[{"count":1,"href":"https:\/\/mck.krakow.pl\/en\/wp-json\/wp\/v2\/wystawy\/26666\/revisions"}],"predecessor-version":[{"id":26668,"href":"https:\/\/mck.krakow.pl\/en\/wp-json\/wp\/v2\/wystawy\/26666\/revisions\/26668"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mck.krakow.pl\/en\/wp-json\/wp\/v2\/media\/24525"}],"wp:attachment":[{"href":"https:\/\/mck.krakow.pl\/en\/wp-json\/wp\/v2\/media?parent=26666"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}