{"id":26426,"date":"2026-03-03T10:41:40","date_gmt":"2026-03-03T10:41:40","guid":{"rendered":"https:\/\/mck.krakow.pl\/wystawy\/oskar-kokoschka-wczesne-lata\/"},"modified":"2026-03-20T11:35:53","modified_gmt":"2026-03-20T11:35:53","slug":"oskar-kokoschka-wczesne-lata","status":"publish","type":"wystawy","link":"https:\/\/mck.krakow.pl\/en\/wystawy\/oskar-kokoschka-wczesne-lata\/","title":{"rendered":"Oskar Kokoschka. The Early Years"},"content":{"rendered":"\n<p class=\"entry_text_lg wp-block-paragraph\"><\/p>\n\n\n\n<div style=\"height:28px\" aria-hidden=\"true\" class=\"wp-block-spacer mob20\"><\/div>\n\n\n\n<p class=\"entry_text wp-block-paragraph\">The exhibition of Oskar Kokoschka was another in a series of expositions featuring the pioneers of modern art of the 20th century. Though initially associated with the Vienna Secession, the artist gradually evolved towards Expressionism.<\/p>\n\n\n<div id=\"block_6f8807fe6959deee391786c1de857c37\">\n    \n    <div class=\"height48\"><\/div>\n\n    \n    \n\n    <div class=\"row\">\n        <div class=\"col-xxl-5 col-xl-5 col-lg-5 col-md-12 col-sm-12\">\n                        <div class=\"left_img\">\n                <img decoding=\"async\" src=\"https:\/\/mck.krakow.pl\/wp-content\/uploads\/2026\/03\/Oskar_Kokoschka_plakat_thumb.jpg\" alt=\"\" class=\"img_all\">                 <div\n                    class=\"entry_img_text  entry_img_text14 \">\n                    <\/div>\n                            <\/div>        <\/div>\n\n        <div class=\"col-xxl-7 col-xl-7 col-lg-7 col-md-12 col-sm-12 right_sec_entry\">\n            <div class=\"entry_text1\">\n                <!--<div class=\"entry_text1_img\"><img decoding=\"async\" src=\"https:\/\/mck.krakow.pl\/wp-content\/themes\/mck\/images\/Frame 3323.png\"\n                        alt=\"\"><\/div>-->\n                He was both a painter and a writer \u2013 his play entitled Murder. Hope of Women created a scandal when published in 1909. His artistic creation was heavily influenced by Gustav Klimt and the architect Adolf Loos. A relationship with the artist Alma Mahler lasting over a number of years was also of great importance \u2013 her figure as well as a motif of domination and female\u2019s triumph over men often appear in Kokoschka\u2019s works from the period.            <\/div>\n            <div class=\"sign\"><\/div>\n        <\/div>\n    <\/div>\n    \n\n    \n\n    <\/div>\n\n<div id=\"block_4c6e694bf5a995abeb9c84c61a3e88b7\">\n    \n    \n    <\/div>\n\n\n<p class=\"wp-block-paragraph\">Kokoschka\u2019s portraits and drawings were particularly interesting. Known to have a reputation of a \u201csoul ripper\u201d, instead of pursuing veracity and similarities, Kokoschka focused on presentation of a model\u2019s psychological complexity and interiority of their soul.<\/p>\n\n\n<div id=\"block_aa10f1af38c2e5f7fdf101c1aba89267\">\n    \n    \n    <\/div>\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer mob20\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>The exhibition of Oskar Kokoschka was another in a series of expositions featuring the pioneers of modern art of the 20th century. Though initially associated with the Vienna Secession, the artist gradually evolved towards Expressionism. Kokoschka\u2019s portraits and drawings were particularly interesting. Known to have a reputation of a \u201csoul ripper\u201d, instead of pursuing veracity [&hellip;]<\/p>\n","protected":false},"featured_media":25153,"menu_order":0,"template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-26426","wystawy","type-wystawy","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/mck.krakow.pl\/en\/wp-json\/wp\/v2\/wystawy\/26426","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mck.krakow.pl\/en\/wp-json\/wp\/v2\/wystawy"}],"about":[{"href":"https:\/\/mck.krakow.pl\/en\/wp-json\/wp\/v2\/types\/wystawy"}],"version-history":[{"count":1,"href":"https:\/\/mck.krakow.pl\/en\/wp-json\/wp\/v2\/wystawy\/26426\/revisions"}],"predecessor-version":[{"id":26428,"href":"https:\/\/mck.krakow.pl\/en\/wp-json\/wp\/v2\/wystawy\/26426\/revisions\/26428"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mck.krakow.pl\/en\/wp-json\/wp\/v2\/media\/25153"}],"wp:attachment":[{"href":"https:\/\/mck.krakow.pl\/en\/wp-json\/wp\/v2\/media?parent=26426"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}