Publications<\/h3>\n\n ![\"\"](\"https:\/\/mck.krakow.pl\/wp-content\/uploads\/2025\/02\/T265725.jpg\")
\n <\/div>\n \n\n Publications<\/h3>\n\n \n Zsolnay. W\u0119gierska secesja<\/div>\n \n Album towarzysz\u0105cy wystawie prezentowanej w Galerii MCK jest pr\u00f3b\u0105 poszerzenia polskiej perspektywy na fenomen \u201ez\u0142otej ery\u201d W\u0119gier i sztuki tego kraju na prze\u0142omie XIX i XX wieku poprzez wydobycie bogactwa, r\u00f3\u017cnorodno\u015bci i klasy artystycznej wzornictwa tamtego czasu naszych po\u0142udniowych \u201ebratank\u00f3w\u201d. <\/div>\n\n <\/div>\n \n Author of the publication: <\/strong> Praca zbiorowa
\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n View the publication<\/a>\n <\/h3>\n <\/div>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n![\"Zastawa](\"https:\/\/mck.krakow.pl\/wp-content\/uploads\/2026\/07\/3_T.Sikorski.jpg\")
<\/figure>\n\n\n\nTadeusz Sikorski was one of the most versatile designers – apart from decorative and functional ceramics, he designed interior design elements (e.g. candlesticks, mirror frames, furniture decorations) and architectural details. His works are proof of creativity and artistic imagination – which is reminded by a fanciful series of objects designed together with his wife Julia, inspired by the form of a lotus flower. Sikorski, who drew inspiration from various sources, was far from simple copying – he shaped his designs with great inventiveness, which is perfectly illustrated by, for example, objects referring to pre-Columbian culture. It is also possible that inspired by the collection of the engineer and traveler W\u0142adys\u0142aw Klug, known to him, part of which can be seen today at the Krakow Archaeological Museum. Sikorski’s diverse legacy is not only proof of his artistic talent, but also reminds of the Polish contribution to the phenomenon of the famous manufacture.<\/p>\n\n\n\n![\"Zastawa](\"https:\/\/mck.krakow.pl\/wp-content\/uploads\/2026\/07\/2_T.Sikorski.jpg\")
<\/figure>\n\n\n\nZsolnay’s exhibition spoke about the phenomenon of the Zsolnay manufacture.\u00a0Hungarian Art <\/em><\/a>Nouveau<\/a><\/em><\/strong>\u00a0presented at the MCK Gallery in 2017.<\/p>\n\n\n\n \n \n \n \n \n\n \n \n Publications<\/h3>\n\n ![\"\"](\"https:\/\/mck.krakow.pl\/wp-content\/uploads\/2025\/01\/MCK-HERITO-26-okladka-cmyk-scaled.jpg\")
\n <\/div>\n \n\n Publications<\/h3>\n\n \n HERITO, nr 26: W\u0119gry<\/div>\n \n Kim s\u0105 dzi\u015b W\u0119grzy i jak siebie widz\u0105 w Europie \u015arodkowej? Na czym polega fenomen Budapesztu na prze\u0142omie XIX i XX wieku? Jak wygl\u0105da Polak w\u0119gierskimi oczami? Czym jest dla W\u0119gr\u00f3w Dunaj? Co wsp\u00f3lnego z placem K\u00e1lm\u00e1na Sz\u00e9lla w Budapeszcie maj\u0105 Elvis Presley, Mao Zedong czy Kreml?\nNa pytania te staraj\u0105 si\u0119 odpowiedzie\u0107 autorzy i autorki numeru \u201eHerito\u201d, kt\u00f3rego tematem przewodnim s\u0105 tym razem W\u0119gry. W numerze mi\u0119dzy innymi L\u00e1szl\u00f3 F. F\u00f6ld\u00e9nyi, \u00c9va Forg\u00e1cs, L\u00e1szl\u00f3 N\u00e9meth i Csaba G. Kiss mierz\u0105 si\u0119 z w\u0119gierskimi dylematami; Rafa\u0142 Wi\u015bniewski opowiada o fenomenie Budapesztu 1900; Adam Balcer, Bal\u00e1zs Ablonczy, Krzysztof Wo\u0142osiuk pisz\u0105 o w\u0119gierskiej fascynacji Wschodem, a Robert Nemes eksploruje prowincjonalne W\u0119gry \u2013 te dawne i wsp\u00f3\u0142czesne. <\/div>\n\n <\/div>\n \n Author of the publication: <\/strong> Praca zbiorowa
\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n View the publication <\/a>\n <\/h3>\n <\/div>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"Located in the south of Hungary, P\u00e9cs is a place with which the history of Zsolnay, one of the most famous Central European ceramic factories, is inseparably connected. This family factory, famous for the production of decorative vessels, but also architectural details, adorning the numerous buildings to this day in even Budapest, is one of the most important symbols of Hungarian Art Nouveau and Belle \u00e9poque.<\/p>\n","protected":false},"featured_media":34030,"menu_order":0,"template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":"","_links_to":"","_links_to_target":""},"kategoria_publikacje":[114],"tagi_publikacje":[91],"seria":[],"class_list":["post-34056","publikacje","type-publikacje","status-publish","has-post-thumbnail","hentry","kategoria_publikacje-artykuly","tagi_publikacje-architecture-and-art"],"acf":[],"_links":{"self":[{"href":"https:\/\/mck.krakow.pl\/en\/wp-json\/wp\/v2\/publikacje\/34056","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mck.krakow.pl\/en\/wp-json\/wp\/v2\/publikacje"}],"about":[{"href":"https:\/\/mck.krakow.pl\/en\/wp-json\/wp\/v2\/types\/publikacje"}],"version-history":[{"count":7,"href":"https:\/\/mck.krakow.pl\/en\/wp-json\/wp\/v2\/publikacje\/34056\/revisions"}],"predecessor-version":[{"id":34065,"href":"https:\/\/mck.krakow.pl\/en\/wp-json\/wp\/v2\/publikacje\/34056\/revisions\/34065"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mck.krakow.pl\/en\/wp-json\/wp\/v2\/media\/34030"}],"wp:attachment":[{"href":"https:\/\/mck.krakow.pl\/en\/wp-json\/wp\/v2\/media?parent=34056"}],"wp:term":[{"taxonomy":"kategoria_publikacje","embeddable":true,"href":"https:\/\/mck.krakow.pl\/en\/wp-json\/wp\/v2\/kategoria_publikacje?post=34056"},{"taxonomy":"tagi_publikacje","embeddable":true,"href":"https:\/\/mck.krakow.pl\/en\/wp-json\/wp\/v2\/tagi_publikacje?post=34056"},{"taxonomy":"seria","embeddable":true,"href":"https:\/\/mck.krakow.pl\/en\/wp-json\/wp\/v2\/seria?post=34056"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Publications<\/h3>\n\n \n Zsolnay. W\u0119gierska secesja<\/div>\n \n Album towarzysz\u0105cy wystawie prezentowanej w Galerii MCK jest pr\u00f3b\u0105 poszerzenia polskiej perspektywy na fenomen \u201ez\u0142otej ery\u201d W\u0119gier i sztuki tego kraju na prze\u0142omie XIX i XX wieku poprzez wydobycie bogactwa, r\u00f3\u017cnorodno\u015bci i klasy artystycznej wzornictwa tamtego czasu naszych po\u0142udniowych \u201ebratank\u00f3w\u201d. <\/div>\n\n <\/div>\n \n Author of the publication: <\/strong> Praca zbiorowa
\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n View the publication<\/a>\n <\/h3>\n <\/div>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n<\/figure>\n\n\n\nTadeusz Sikorski was one of the most versatile designers – apart from decorative and functional ceramics, he designed interior design elements (e.g. candlesticks, mirror frames, furniture decorations) and architectural details. His works are proof of creativity and artistic imagination – which is reminded by a fanciful series of objects designed together with his wife Julia, inspired by the form of a lotus flower. Sikorski, who drew inspiration from various sources, was far from simple copying – he shaped his designs with great inventiveness, which is perfectly illustrated by, for example, objects referring to pre-Columbian culture. It is also possible that inspired by the collection of the engineer and traveler W\u0142adys\u0142aw Klug, known to him, part of which can be seen today at the Krakow Archaeological Museum. Sikorski’s diverse legacy is not only proof of his artistic talent, but also reminds of the Polish contribution to the phenomenon of the famous manufacture.<\/p>\n\n\n\n<\/figure>\n\n\n\nZsolnay’s exhibition spoke about the phenomenon of the Zsolnay manufacture.\u00a0Hungarian Art <\/em><\/a>Nouveau<\/a><\/em><\/strong>\u00a0presented at the MCK Gallery in 2017.<\/p>\n\n\n\n \n \n \n \n \n\n \n \n Publications<\/h3>\n\n \n <\/div>\n \n\n Publications<\/h3>\n\n \n HERITO, nr 26: W\u0119gry<\/div>\n \n Kim s\u0105 dzi\u015b W\u0119grzy i jak siebie widz\u0105 w Europie \u015arodkowej? Na czym polega fenomen Budapesztu na prze\u0142omie XIX i XX wieku? Jak wygl\u0105da Polak w\u0119gierskimi oczami? Czym jest dla W\u0119gr\u00f3w Dunaj? Co wsp\u00f3lnego z placem K\u00e1lm\u00e1na Sz\u00e9lla w Budapeszcie maj\u0105 Elvis Presley, Mao Zedong czy Kreml?\nNa pytania te staraj\u0105 si\u0119 odpowiedzie\u0107 autorzy i autorki numeru \u201eHerito\u201d, kt\u00f3rego tematem przewodnim s\u0105 tym razem W\u0119gry. W numerze mi\u0119dzy innymi L\u00e1szl\u00f3 F. F\u00f6ld\u00e9nyi, \u00c9va Forg\u00e1cs, L\u00e1szl\u00f3 N\u00e9meth i Csaba G. Kiss mierz\u0105 si\u0119 z w\u0119gierskimi dylematami; Rafa\u0142 Wi\u015bniewski opowiada o fenomenie Budapesztu 1900; Adam Balcer, Bal\u00e1zs Ablonczy, Krzysztof Wo\u0142osiuk pisz\u0105 o w\u0119gierskiej fascynacji Wschodem, a Robert Nemes eksploruje prowincjonalne W\u0119gry \u2013 te dawne i wsp\u00f3\u0142czesne. <\/div>\n\n <\/div>\n \n Author of the publication: <\/strong> Praca zbiorowa
\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n View the publication <\/a>\n <\/h3>\n <\/div>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"Located in the south of Hungary, P\u00e9cs is a place with which the history of Zsolnay, one of the most famous Central European ceramic factories, is inseparably connected. This family factory, famous for the production of decorative vessels, but also architectural details, adorning the numerous buildings to this day in even Budapest, is one of the most important symbols of Hungarian Art Nouveau and Belle \u00e9poque.<\/p>\n","protected":false},"featured_media":34030,"menu_order":0,"template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":"","_links_to":"","_links_to_target":""},"kategoria_publikacje":[114],"tagi_publikacje":[91],"seria":[],"class_list":["post-34056","publikacje","type-publikacje","status-publish","has-post-thumbnail","hentry","kategoria_publikacje-artykuly","tagi_publikacje-architecture-and-art"],"acf":[],"_links":{"self":[{"href":"https:\/\/mck.krakow.pl\/en\/wp-json\/wp\/v2\/publikacje\/34056","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mck.krakow.pl\/en\/wp-json\/wp\/v2\/publikacje"}],"about":[{"href":"https:\/\/mck.krakow.pl\/en\/wp-json\/wp\/v2\/types\/publikacje"}],"version-history":[{"count":7,"href":"https:\/\/mck.krakow.pl\/en\/wp-json\/wp\/v2\/publikacje\/34056\/revisions"}],"predecessor-version":[{"id":34065,"href":"https:\/\/mck.krakow.pl\/en\/wp-json\/wp\/v2\/publikacje\/34056\/revisions\/34065"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mck.krakow.pl\/en\/wp-json\/wp\/v2\/media\/34030"}],"wp:attachment":[{"href":"https:\/\/mck.krakow.pl\/en\/wp-json\/wp\/v2\/media?parent=34056"}],"wp:term":[{"taxonomy":"kategoria_publikacje","embeddable":true,"href":"https:\/\/mck.krakow.pl\/en\/wp-json\/wp\/v2\/kategoria_publikacje?post=34056"},{"taxonomy":"tagi_publikacje","embeddable":true,"href":"https:\/\/mck.krakow.pl\/en\/wp-json\/wp\/v2\/tagi_publikacje?post=34056"},{"taxonomy":"seria","embeddable":true,"href":"https:\/\/mck.krakow.pl\/en\/wp-json\/wp\/v2\/seria?post=34056"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n\n <\/div>\n <\/div>\n <\/div>\n
View the publication<\/a>\n <\/h3>\n <\/div>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n<\/figure>\n\n\n\nTadeusz Sikorski was one of the most versatile designers – apart from decorative and functional ceramics, he designed interior design elements (e.g. candlesticks, mirror frames, furniture decorations) and architectural details. His works are proof of creativity and artistic imagination – which is reminded by a fanciful series of objects designed together with his wife Julia, inspired by the form of a lotus flower. Sikorski, who drew inspiration from various sources, was far from simple copying – he shaped his designs with great inventiveness, which is perfectly illustrated by, for example, objects referring to pre-Columbian culture. It is also possible that inspired by the collection of the engineer and traveler W\u0142adys\u0142aw Klug, known to him, part of which can be seen today at the Krakow Archaeological Museum. Sikorski’s diverse legacy is not only proof of his artistic talent, but also reminds of the Polish contribution to the phenomenon of the famous manufacture.<\/p>\n\n\n\n<\/figure>\n\n\n\nZsolnay’s exhibition spoke about the phenomenon of the Zsolnay manufacture.\u00a0Hungarian Art <\/em><\/a>Nouveau<\/a><\/em><\/strong>\u00a0presented at the MCK Gallery in 2017.<\/p>\n\n\n\n \n \n \n \n \n\n \n \n Publications<\/h3>\n\n \n <\/div>\n \n\n Publications<\/h3>\n\n \n HERITO, nr 26: W\u0119gry<\/div>\n \n Kim s\u0105 dzi\u015b W\u0119grzy i jak siebie widz\u0105 w Europie \u015arodkowej? Na czym polega fenomen Budapesztu na prze\u0142omie XIX i XX wieku? Jak wygl\u0105da Polak w\u0119gierskimi oczami? Czym jest dla W\u0119gr\u00f3w Dunaj? Co wsp\u00f3lnego z placem K\u00e1lm\u00e1na Sz\u00e9lla w Budapeszcie maj\u0105 Elvis Presley, Mao Zedong czy Kreml?\nNa pytania te staraj\u0105 si\u0119 odpowiedzie\u0107 autorzy i autorki numeru \u201eHerito\u201d, kt\u00f3rego tematem przewodnim s\u0105 tym razem W\u0119gry. W numerze mi\u0119dzy innymi L\u00e1szl\u00f3 F. F\u00f6ld\u00e9nyi, \u00c9va Forg\u00e1cs, L\u00e1szl\u00f3 N\u00e9meth i Csaba G. Kiss mierz\u0105 si\u0119 z w\u0119gierskimi dylematami; Rafa\u0142 Wi\u015bniewski opowiada o fenomenie Budapesztu 1900; Adam Balcer, Bal\u00e1zs Ablonczy, Krzysztof Wo\u0142osiuk pisz\u0105 o w\u0119gierskiej fascynacji Wschodem, a Robert Nemes eksploruje prowincjonalne W\u0119gry \u2013 te dawne i wsp\u00f3\u0142czesne. <\/div>\n\n <\/div>\n \n Author of the publication: <\/strong> Praca zbiorowa
\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n View the publication <\/a>\n <\/h3>\n <\/div>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"Located in the south of Hungary, P\u00e9cs is a place with which the history of Zsolnay, one of the most famous Central European ceramic factories, is inseparably connected. This family factory, famous for the production of decorative vessels, but also architectural details, adorning the numerous buildings to this day in even Budapest, is one of the most important symbols of Hungarian Art Nouveau and Belle \u00e9poque.<\/p>\n","protected":false},"featured_media":34030,"menu_order":0,"template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":"","_links_to":"","_links_to_target":""},"kategoria_publikacje":[114],"tagi_publikacje":[91],"seria":[],"class_list":["post-34056","publikacje","type-publikacje","status-publish","has-post-thumbnail","hentry","kategoria_publikacje-artykuly","tagi_publikacje-architecture-and-art"],"acf":[],"_links":{"self":[{"href":"https:\/\/mck.krakow.pl\/en\/wp-json\/wp\/v2\/publikacje\/34056","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mck.krakow.pl\/en\/wp-json\/wp\/v2\/publikacje"}],"about":[{"href":"https:\/\/mck.krakow.pl\/en\/wp-json\/wp\/v2\/types\/publikacje"}],"version-history":[{"count":7,"href":"https:\/\/mck.krakow.pl\/en\/wp-json\/wp\/v2\/publikacje\/34056\/revisions"}],"predecessor-version":[{"id":34065,"href":"https:\/\/mck.krakow.pl\/en\/wp-json\/wp\/v2\/publikacje\/34056\/revisions\/34065"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mck.krakow.pl\/en\/wp-json\/wp\/v2\/media\/34030"}],"wp:attachment":[{"href":"https:\/\/mck.krakow.pl\/en\/wp-json\/wp\/v2\/media?parent=34056"}],"wp:term":[{"taxonomy":"kategoria_publikacje","embeddable":true,"href":"https:\/\/mck.krakow.pl\/en\/wp-json\/wp\/v2\/kategoria_publikacje?post=34056"},{"taxonomy":"tagi_publikacje","embeddable":true,"href":"https:\/\/mck.krakow.pl\/en\/wp-json\/wp\/v2\/tagi_publikacje?post=34056"},{"taxonomy":"seria","embeddable":true,"href":"https:\/\/mck.krakow.pl\/en\/wp-json\/wp\/v2\/seria?post=34056"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
<\/figure>\n\n\n\nTadeusz Sikorski was one of the most versatile designers – apart from decorative and functional ceramics, he designed interior design elements (e.g. candlesticks, mirror frames, furniture decorations) and architectural details. His works are proof of creativity and artistic imagination – which is reminded by a fanciful series of objects designed together with his wife Julia, inspired by the form of a lotus flower. Sikorski, who drew inspiration from various sources, was far from simple copying – he shaped his designs with great inventiveness, which is perfectly illustrated by, for example, objects referring to pre-Columbian culture. It is also possible that inspired by the collection of the engineer and traveler W\u0142adys\u0142aw Klug, known to him, part of which can be seen today at the Krakow Archaeological Museum. Sikorski’s diverse legacy is not only proof of his artistic talent, but also reminds of the Polish contribution to the phenomenon of the famous manufacture.<\/p>\n\n\n\n Zsolnay’s exhibition spoke about the phenomenon of the Zsolnay manufacture.\u00a0Hungarian Art <\/em><\/a>Nouveau<\/a><\/em><\/strong>\u00a0presented at the MCK Gallery in 2017.<\/p>\n\n\n Located in the south of Hungary, P\u00e9cs is a place with which the history of Zsolnay, one of the most famous Central European ceramic factories, is inseparably connected. This family factory, famous for the production of decorative vessels, but also architectural details, adorning the numerous buildings to this day in even Budapest, is one of the most important symbols of Hungarian Art Nouveau and Belle \u00e9poque.<\/p>\n","protected":false},"featured_media":34030,"menu_order":0,"template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":"","_links_to":"","_links_to_target":""},"kategoria_publikacje":[114],"tagi_publikacje":[91],"seria":[],"class_list":["post-34056","publikacje","type-publikacje","status-publish","has-post-thumbnail","hentry","kategoria_publikacje-artykuly","tagi_publikacje-architecture-and-art"],"acf":[],"_links":{"self":[{"href":"https:\/\/mck.krakow.pl\/en\/wp-json\/wp\/v2\/publikacje\/34056","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mck.krakow.pl\/en\/wp-json\/wp\/v2\/publikacje"}],"about":[{"href":"https:\/\/mck.krakow.pl\/en\/wp-json\/wp\/v2\/types\/publikacje"}],"version-history":[{"count":7,"href":"https:\/\/mck.krakow.pl\/en\/wp-json\/wp\/v2\/publikacje\/34056\/revisions"}],"predecessor-version":[{"id":34065,"href":"https:\/\/mck.krakow.pl\/en\/wp-json\/wp\/v2\/publikacje\/34056\/revisions\/34065"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mck.krakow.pl\/en\/wp-json\/wp\/v2\/media\/34030"}],"wp:attachment":[{"href":"https:\/\/mck.krakow.pl\/en\/wp-json\/wp\/v2\/media?parent=34056"}],"wp:term":[{"taxonomy":"kategoria_publikacje","embeddable":true,"href":"https:\/\/mck.krakow.pl\/en\/wp-json\/wp\/v2\/kategoria_publikacje?post=34056"},{"taxonomy":"tagi_publikacje","embeddable":true,"href":"https:\/\/mck.krakow.pl\/en\/wp-json\/wp\/v2\/tagi_publikacje?post=34056"},{"taxonomy":"seria","embeddable":true,"href":"https:\/\/mck.krakow.pl\/en\/wp-json\/wp\/v2\/seria?post=34056"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}<\/figure>\n\n\n\nPublications<\/h3>\n\n
\n <\/div>\n Publications<\/h3>\n\n
\n\n <\/div>\n <\/div>\n <\/div>\n