{"id":12350,"date":"2013-07-08T10:41:00","date_gmt":"2013-07-08T10:41:00","guid":{"rendered":"https:\/\/mck.krakow.pl\/ksiazek\/herito-nr-12-rumunia-romania-romania\/"},"modified":"2025-06-02T09:04:51","modified_gmt":"2025-06-02T09:04:51","slug":"herito-nr-12-rumunia-romania-romania","status":"publish","type":"ksiazek","link":"https:\/\/mck.krakow.pl\/en\/ksiazek\/herito-nr-12-rumunia-romania-romania\/","title":{"rendered":"HERITO, No. 12: Rumunia \u2013 Romania \u2013 Rom\u00e2nia"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Issue 12 of the \u201cHerito\u201d can be thought of as an integral collection of history, heritage, identity and culture of contemporary Romania, as written about by Lucian Boia, Traian Ungureanu, Dan Lungu, Marius Stan, Octavian Logigan and Olga Bartosiewicz, who try to answer the question \u201cWhy is Romania different?\u201d by taking a closer look at its history, complicated transformation and sometimes paradoxical modernity. Valentina Iancu, Jakub Kornhauser, Olga Bartosiewicz, Ma\u0142gorzata Rejmer and \u0141ukasz Galusek write about literature, cinema and the plastic arts, which make Romania famous all over the world.<br>Tomasz Ogi\u0144ski and Corina Bucea present the Museum of the Romanian Peasant in Bucharest and the Paintbrush Factory in Cluj \u2013 ventures which have transformed Romania&#8217;s cultural map. Claudio Magris, Micha\u0142 Korta, Adam Burakowski and Wojciech Bonowicz recommend significant books and interesting artists. Dieter Schlesak writes about the civilisation of the Transylvanian Saxons, the pitfalls of the 20th century history, the end of a nation and German-Romanian literature as a form of life after life.<\/p>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Content<\/summary>\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>Editorial<br>Worth a look<br>Why is Romania different? Professor Lucian Boia talks to Cristian P\u0103tr\u0103\u0219coniu<br><\/strong>Lucian Boia \u2013 <strong>Why is Romania different? Excerpts<\/strong><br>Traian Ungureanu \u2013 <strong>Who\u2019s had enough of Romania, and why?<\/strong><br>Dan Lungu \u2013 <strong>The paradox of nostalgia over communism<\/strong><br>Marius Stan \u2013 <strong>In our own view. People of cultural recognition before, during and after\u2026<\/strong><br>Octavian Logigan \u2013 <strong>The absent gadjo Gypsy and the present goy Jew<\/strong><br>Olga Bartosiewicz \u2013 <strong>Does Romania need the myth of Central Europe?<\/strong><br>Jakub Kornhauser \u2013 <strong>Surrealism\u2019s second homeland. The mysterious heritage of the Romanian avant\u2011garde<\/strong><br>Olga Bartosiewicz \u2013 <strong>Benjamin Fundoianu \u2013 the unknown face of Romanian modernism<\/strong><br>Ma\u0142gorzata Rejmer \u2013 <strong>The rulers and the exiles. The past and memory in Romanian cinema since 1989<\/strong><br>Valentina Iancu \u2013 <strong>The invented peasant? Traditionalism in modern Romanian art<\/strong><br>\u0141ukasz Galusek \u2013 <strong>The Clujians<\/strong><br>Corina Bucea \u2013 <strong>City meets art \u2013 how micro big bangs changed Cluj<\/strong><br>Tomasz Ogi\u0144ski \u2013 <strong>Museum of the Peasant<\/strong><br>Micha\u0142 Korta \u2013 <strong>A close\u2011up. On Nicu Ilfoveanu\u2019s photography<\/strong><br>Wojciech Bonowicz \u2013 <strong>The dark revelations of Max Blecher<\/strong><br>Adam Burakowski \u2013 <strong>New after fifty years<\/strong><br>Claudio Magris \u2013 <strong>Return to Transylvania, a spiritual Tower of Babel<\/strong><br>Dieter Schlesak \u2013 <strong>Finis Saxoniae and the art of return<\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Issue 12 of the \u201cHerito\u201d can be thought of as an integral collection of history, heritage, identity and culture of contemporary Romania, as written about by Lucian Boia, Traian Ungureanu, Dan Lungu, Marius Stan, Octavian Logigan and Olga Bartosiewicz, who try to answer the question \u201cWhy is Romania different?\u201d by taking a closer look at [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":8520,"parent":0,"menu_order":0,"template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":"","_links_to":"","_links_to_target":""},"kategoria_ksiazek":[89],"dostepnosc":[],"class_list":["post-12350","ksiazek","type-ksiazek","status-publish","has-post-thumbnail","hentry","kategoria_ksiazek-herito-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/mck.krakow.pl\/en\/wp-json\/wp\/v2\/ksiazek\/12350","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mck.krakow.pl\/en\/wp-json\/wp\/v2\/ksiazek"}],"about":[{"href":"https:\/\/mck.krakow.pl\/en\/wp-json\/wp\/v2\/types\/ksiazek"}],"author":[{"embeddable":true,"href":"https:\/\/mck.krakow.pl\/en\/wp-json\/wp\/v2\/users\/6"}],"version-history":[{"count":2,"href":"https:\/\/mck.krakow.pl\/en\/wp-json\/wp\/v2\/ksiazek\/12350\/revisions"}],"predecessor-version":[{"id":12353,"href":"https:\/\/mck.krakow.pl\/en\/wp-json\/wp\/v2\/ksiazek\/12350\/revisions\/12353"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mck.krakow.pl\/en\/wp-json\/wp\/v2\/media\/8520"}],"wp:attachment":[{"href":"https:\/\/mck.krakow.pl\/en\/wp-json\/wp\/v2\/media?parent=12350"}],"wp:term":[{"taxonomy":"kategoria_ksiazek","embeddable":true,"href":"https:\/\/mck.krakow.pl\/en\/wp-json\/wp\/v2\/kategoria_ksiazek?post=12350"},{"taxonomy":"dostepnosc","embeddable":true,"href":"https:\/\/mck.krakow.pl\/en\/wp-json\/wp\/v2\/dostepnosc?post=12350"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}